Wetstreet is the second in a
series of three prints from a 2003 visit to New Orleans. For this
series, I performed a digital version of the classic darkroom technique
known as "split toning."
In this method, the darker parts of the image are sepia-toned while the
lighter parts are toned
cyan, imparting a richness and depth that really should be seen (in
print form) to be believed.